On October 2, I had the wonderful opportunity to see Alton Fitzgerald White’s production of “Ragtime” at the Fulton Theatre, thanks to The College Reporter and Kevin Faraci. Set in New York at the dawn of the 20th century, this story follows three different perspectives and journeys in search of the American dream: A privileged wife, finding her way and independence in a time when submission was the norm; An immigrant father and daughter, traveling across the shores in search of a better life; And the struggles of a black community, dealing with racial discrimination.
First I would like to acknowledge the wonderful casting done by Joey Abramowicz, Scott Wojcik, and Gabi Simmons which enables an astonishing performance. This cast truly brought the show to life, from their character portrayals to their impressive vocals. I would like to especially shout out to the wonderful Grace Ellis Solomon. If you need a reason to come see the show, Solomon’s authentic, strong performance as Sarah is more than enough. Her sincere display of emotion captivates the audience, as well as her astonishing vocals were most impressive. I also want to nod to Erik D. Patrick, whose performance of Coalhouse Jr. was nothing short of captivating. Both performances blended wonderfully with each other and truly held the show,not to undersell the rest of this spectacular cast and their performances. Callie Anna Henrysen (Evenlyn Nesbit), Eden Franco (Emily Goldman), Ben Fankhauser (Tateh), and Laurie Veldheer (Mother) really brought together a wonderful blend of character and clear storytelling.
I would also like to mention the outstanding teen ensemble. For those who are not aware, the Fulton Theatre gives the opportunity for our community’s talented young individuals the ability to perform on the main stage. This generous opportunity not only supports the local youth, but also raises a new generation to keep it going.
It would be a shame to continue without mentioning the work of Robert Andrew Kovach (Scenic Designer), Jesse Klug (Lighting Designer) and Meg Valentine (Props Designer). Helping to create and transform the stage into a whole new world. As well as recognizing Anthony Lascoskie Jr. (Costume Designer) for really making this production stand out, the costumes alone were enough to transport us back to the 1900s. My only critique would be the use of the digital backdrop. Having seen various productions at the Fulton Theatre, I find that the backdrop can detract from the practical elements that make the show unique and bring life to the stage. Though it is intended to help transport the audience, it can be distracting and jarring as opposed to immersive. I find that this production could have held up just as well, if not better, without the extra technology.
I would also like to point out the production’s use of racial slurs, outdated terminology, and stereotypes. Though the musical makes a point of exploring the reality of its setting, it can be upsetting to viewers if they are not prepared and aware of the presence of such harsh, unexpected dialogue.
The choreography and tableaux were another element of the show that really stood out and created seamless transitions that allowed the production to flow effortlessly from scene to scene. The stills created beautiful, picturesque scenes with the use of backlit silhouettes, all coming to life with vibrant and lively dance routines that made you want to join in. I especially fell in love with Samantha Butts’s (Associate Choreographer) choreography, as it was not only captivating to watch but impressive to see that level of musicality and punctuation in the performers.
White’s production of Ragtime: The Musical is running at the Fulton Theatre now until Sunday, October 18. Don’t miss your chance to see the wonderful production, as well as to show some support for your local theatres and the wonderful people who helped make this performance possible!
Freshman Kalin Almanzar is a Contributing Writer. Her email is Kalmanza@fandm.edu.