New AI-Driven Thriller “Mercy” Captures Audiences
“Mercy,” Chris Pratt and Rebecca Ferguson’s newest film, was released this past Friday, Jan. 23. Set in a dystopian near-future, the newly-developed “Mercy” system is as follows: rather than having…
Peter Kavinsky: The Boy Who Went From Cute to Cringe
By Sara Florez || Contributing Writer If you were to ask anyone if they knew the movie To All The Boys I’ve Loved Before, chances are you will get a…
Jordan Peele’s directorial debut, Get Out, surpasses expectations in box office
By Jesika Islam || Arts & Leisure Editor Key and Peele is the brainchild sketch comedy of Michael Keegan and Jordan Peele that is arguably one of the funniest, socially…
La La Land lives up to hype, depicts moving success story in modern musical format
By Jesika Islam || Layout Assistant After months of hearing friends, critics, and commercials praise La La Land I finally caved and decided to watch the Oscar nominated movie. Other…
Contributing writer reviews summer hit movie Sausage Party
By Vanessa Chen || Contributing Writer Despite what my friends think, Sausage Party is indeed not an hour and a half of your life that you’ll never get back. Yes,…
The Accountant: Affleck, Kendrick, Simmons appear in latest O’Connor action thriller
By Preman Koshar || Arts & Entertainment Editor The Accountant, directed by Gavin O’Connor, is one of those films that, while it doesn’t bring anything really unique or new to…
The Magnificent Seven fits film genre, lacks depth, profound dialogue
By Preman Koshar || Arts & Entertainment Editor The Magnificent Seven, directed by Antoine Fuqua of Training Day fame, is a classic example of a modern western remake. While the…
Peaceful Warrior film does not stick the landing
By Preman Koshar || Arts & Entertainment Editor I would be willing to bet $10 — and no more than that, as that’s about my cumulative net worth at the moment — that no…