The Accountant: Affleck, Kendrick, Simmons appear in latest O’Connor action thriller By Preman Koshar || Arts & Entertainment Editor The Accountant, directed by Gavin O’Connor, is one of those films...
The Magnificent Seven fits film genre, lacks depth, profound dialogue By Preman Koshar || Arts & Entertainment Editor The Magnificent Seven, directed by Antoine Fuqua of Training Day fame,...
This semester at Franklin & Marshall’s Phillips Museum of Art By Ellie Gavin || Managing Editor This semester, the Phillips Museum of Art will be showcasing the artistic talents...
Fall Theatre Preview: The Caucasian Chalk Circle By Ellie Gavin || Managing Editor This fall, the F&M Players will be doing a production of The Caucasian...
Snowden takes a definitive political stand, tells powerful story By Preman Koshar || Arts & Entertainment Editor Snowden, as you might imagine, is a film that, above all,...
Jason Bourne executes the next segment of the saga expertly By Preman Koshar || Arts & Entertainment Editor The Bourne saga has been an interesting story to follow. A...
Blink 182’s new album demonstrates group’s talent, versatility By Joe Yamulla || Opinion & Editorial Editor Thank God for punk rock. That’s all I have to say after...
The Crucible masterfully conjures empathy, profundity By Justin Hopkins ‘07 || Contributing Writer The Playbill cover features a photograph of John Proctor leaning over Abigail...
Drive pushes the speed limit, redefining action along the way by Luke Rosica Recently, I’ve found that I’m less interested in movies that feature “good plots.” Instead, I’m more...
In latest film, Superman takes on a darker, nihilistic tone By Tom Fogel-Burlan || Contributing Writer It should be obvious that Superman is a good character. He’s not motivated...